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 From beginning to end, these paintings are in a constant state of wrestling with their final

form. This series is process-driven: layers upon layers of paint are choreographed through a push and pull of concealment and revelation. I block color out only to add color back in. Forms are spliced, split, cropped, embellished and built upon. I consider these finished paintings almost like looking through dense foliage. The positive and negative spaces

determining pattern and depth.

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